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Monowiring, bi-wiring or bi-amping in Hi-Fi. What are they?

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What are bi-wiring and bi-amping? Bi-wiring is one means of connecting a speaker to an audio amplifier. Usually, a single cable runs from the output of the amplifier to the terminals of the speaker housing (this connection is called monowiring, however worthy of adjustments). In bi-wiring, however, each speaker has two pairs of connectors, and two cables are carried from the amplifier output to the speaker cabinet. One corresponds to the high frequencies, one to the low frequencies (through two separate crossovers).

Bi-wiring versus monowiring

Bi-wiring is a connection with a double cable Speaker between the amplifier and the acoustic speakers. With a single bi-polar cable, all audio frequencies pass through the same, and the speaker's crossover provides the cut and send to the speakers. Many speakers are built with a crossover that allows them to accept low frequencies (Low) and high frequencies (High) separately. In this cable the speaker will have four terminals instead of two (LOW+/LOW- and HIGH+/HIGH-).

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In the case of a speaker with dual connections that is connected with single cable, there will be a jumper made with a metal reed that joins the LOW+ with the HIGH+ and the LOW- with the HIGH-. So to use bi-wiring you have to remove that jumper, so that two independent inputs are created. One goes to the woofer (LF: Low Frequency) and the other to the midrange + tweeter (HF: High Frequency). If, on the other hand, you use the classic single-cable connection, the jumper, should be left so that the signal goes to both terminals.

One of the advantages of using a double cable is that it should reduce magnetic interference. Another lies in obtaining a larger overall cross-sectional area than would be obtained with a single cable, and also in the fact that, in this way, the current draw caused by the woofer does not affect the smaller signal going to the highways. However, a technical analysis suggests that although adopting a bi-wired solution may offer differences, these are so subtle that they do not represent something tangible.

However, some audiophiles have found a significant difference in reduced treble harshness and improved bass control. However, detractors of bi-wiring claim that, electronically, nothing changes. With a play on words, they refer to this practice as "buy-wiring," arguing that it is all just a marketing invention to sell more speaker cables.

bi amping

Bi-wiring versus bi-amping

Ricable has always maintained that bi-amping ("bi-amping") is certainly effective, while with regard to bi-wiring some extra caution is needed, because it all depends on the design behind the amplifier. If this has been developed and optimized for bi-wiring, it makes sense to employ it, otherwise it is better to save space and money on double speaker cables and rather buy only one, but of a higher level.

What is the difference between bi-wiring and bi-amping? The main difference, as you can guess, is that bi-amping is done with two amplifiers, a factor that gives a whole different meaning to this type of connection. Just as a hint, bi-amping can be either vertical or horizontal. The former involves employing two identical amplifiers and using one to amplify each speaker individually; the latter involves employing one amplifier for low frequencies and another (the same or different) for high frequencies.

It is the best but also the most expensive solution to be adopted for very high-level systems. In bi-amping, we start from the concept that each amplifier acts on a specific frequency range to directly drive the loudspeaker in charge of reproducing that specific range. In this way, intermodulation and other undesirable effects are avoided as much as possible; for example, the amplifier that treats the higher frequencies does not have to work with the lower ones as well, with benefits for the power supply and performance.

Bi-wiring cables. Are they needed?

There are Speaker cables on the market specifically designed for bi-wiring, that is, with two connectors on the amplifier side and four connectors on the speaker side. According to the philosophy Ricable, after some technical tests, this type of cable has no effect compared to using a standard cable with the addition of good jumpers (don't leave the manufacturers' metal flat plugs). On a technical level, there is no reason to prefer them to an arrangement involving a monowiring cable connected to the other pair of terminals via jumpers of the same conductor. Except for the negligible fact that, with jumpers, you lengthen the length of the cable by about ten centimeters.

In either case, the cable itself is not an active crossover and does not have the tools to split the high frequencies from the low frequencies, so the only effect brought by bi-wiring cables is an end in itself complication in the connection going from the amplifier to the speakers, often with a deterioration in signal transmission quality.

In conclusion, we always recommend simplifying and, in case you have only one amplifier with speakers set up for bi-wiring, to buy a standard cable with the corresponding jumpers. You will spend less and have an identical, if not better result.

One thought on "Monowiring, bi-wiring or bi-amping in Hi-Fi. What are they?"

  1. Jesus Hernandez he said:

    Como en cualquier tema, siempre habra detractores y quien comulge al respecto de opiniones ya sean de expertos o bien de amateurs, en mi caso soy de los que siempre prueba antes de dejarse llevar por cualquier opinion, cuan mala o buena sea esta. Gracias a Dios tengo dos sistemas en los cuales los altavoces se pueden bicablear y en ambos casos los resultados de utilizar dos tiras de cable, son abismales a usar solo una tira, en que me baso?, quizas en el hecho de ser Celestion y Genesis Technologies las marcas de los mismos, ademas de ser Vandenhul, Kimber Kable y Audio Note sus respectivas marcas, la electronica? Adcom, Nakamichi, Jeff Rowland de amplificacion y preamplificacion, acondicionadores de linea Panamax, Adcom y Tice Audio, contactos de la marca PS Audio, elctronica digital Adcom, Genesis Tecnologies y Theta Digital, fuente analogica Linn y Nakamichi, ademas de sintonizadores Onkyo y Citation de Harman Kardon, en fin, cada quien habla como sus oidos les permiten percibir, o bien como sepan afinar o dar calistecnia a sus equipos. Saludos.

    1. Ricable he said:

      Gracias por compartir su experiencia con nosotros.

    2. Andrés he said:

      Llevas razón lo que cambia es la forma de conexión porque elimina todo tipo de distorsión porque alimenta por separado los altavoces haciendo que el sonido sea más rico en la zona alta y más compacto en las bajas frecuencias, eso solo se consigue con buenos cables y un buen amplificador como en mi caso un Electrocompaniet ECI -2

  2. Joseph he said:

    Good morning I have two Sonus Faber in Biwiring I would like to connect a Speaker cable between the amplifier and the Twiter housing of the speaker without jumpers can it be done?

    1. Ricable he said:

      Hi Joseph, if your speakers are with Bi-Wiring connections the possible ways are two:
      1. Make a Bi-Wiring/Bi-Amping connection and consequently employ a pair of cables for each speaker
      2. Use jumpers
      If you don't put jumpers, connecting the single cables only on the treble (Tweeter) will not hear the bass, so it is not feasible.

  3. Patricio he said:

    Tengo un amplificador Sony con salidas independientes para High Y Low para L y R, y quiero conectarlo a un parlante don una sola entrada L y R, como debería realizar la conexión o que debo tener en cuenta? Gracias.

    1. Ricable he said:

      Buenos días Patricio, sin conocer el modelo específico de amplificador es difícil poder ayudarte. Lo mejor que puede hacer es leer el manual de instrucciones, definitivamente dice cómo hacer la conexión de la mejor manera posible. Seguimos disponibles si tienes otras dudas. ¡Buen día!

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